Teenage Kicks

A band on the run, raised on their parents' record collections.

GOOD NEWS.

The good news is that we’re getting the new EP mastered today.  The other good news is that we played Off the Floor Fest last night with some great friends/greater bands including but not limited to Greys, the Sweet Mack, Hinindar and the Dirty Nil (who I will now proceed to rant about).

Peter and I first heard about these guys in December and after we heard Fuckin’ Up Young (the “double A-side” 7” also contains Verona Lung, another great song) we were hooked.  We went to see them at the Shoe but I only caught two songs, so I saw them at the Silver Dollar with the Sweet Mack last week and they’ve become one of my favorite local bands. 

There’s something so unabashedly pure about the way they play and present themselves.  It’s so enjoyable for me to see these 3 guys play for the love of playing, not to mention the fact that their songs rule.  Their sound definitely harkens back to Pinkerton-era Weezer but they’ve got their own thing going on as well.  They also do a killer cover of the Immigrant Song that’s worth a listen. 

Here’s an “acoustic” video from NXNE last year.  I think it sums up the band pretty well.

Check them out!

- Jeff

Cam has posted quite a few photos on the site, and with the help of a timer he took this one too.

Cam has posted quite a few photos on the site, and with the help of a timer he took this one too.

More Marine Dreams. I think the guy who did this video also did Arkells’ video for Whistleblower, which is also real cool.

Ulysses and the Siren

Ulysses and the Siren was the band Christian and I started after Cain and Abel broke up. We went through about a million line-up changes, which included both Jeff and Cameron (twice). Christian left about one month into Cam’s second run with the band, and then a month later with the addition of our biggest fan Patrick we became Teenage Kicks. This EP is the only thing we ever released as a band. We play (a much better) version of ‘Indian Summertime Blues’ in TK, but we just started fooling around with a few of the other songs for the Singles Club, so who knows, maybe some of them will come out to the live set. Anyways, you can still download it for free if you desire so! Take a walk on the wild side.

http://juiceboxdotcom.com/recordingco/jb006-ulysses-and-the-siren-eastern-magic-western-minds/

- Peter

BE ON MY(OUR) SIDE - ARTWORK AND SUCH

Greetings friends of the internet,

After having been recorded twice, going through a few mixers, partially losing my mind, partially losing my voice, and then returning to our original mixer to finish the EP I can actually say (which is rare) that I’m happy to announce the details of our soon to be released EP, Be On My Side. It was produced/recorded by yours truly with the drums being engineered/recorded by Dan Weston at Phase One. Dan (Attack In Black, Shad, Paper Lions) also mixed tracks 1,3,4,5,6, while track 2 was mixed by Mike Fraser (AC/DC, Sam Roberts). I think it sounds like our band sounds, that might seem like a silly statement to make, but hopefully you’ll know what I mean when you hear it. Ultimately, no Teenage Kicks project would be complete without a few re-records and a couple of borderline nervous breakdowns. That’s why they pay me the big bucks. 

The tracklisting is as follows;

1. Setting Son
2. I Get What You Give
3. Middle of the Night
4. And Everybody Knows It
5. Shook Our Bones
6. You Shall Not Want 

Some of you might be asking yourselves why we recorded the 7 Inch again, and to you I say this… we recorded four songs as Ulysses and the Siren prior to Christian quitting that band, two of those songs were released as the first recordings from Teenage Kicks (you’ve been punk’d?). Cam had only been in the band for a month at the time, and I mixed/recorded everything while recovering from two hernia surgeries. I wanted to do the songs again as our band actually plays them, consider it our version of Piebald’s American Hearts. Also, why do I always feel the need to explain myself to the internet? And, why am I posing a question to no one?

Be On My Side comes out Friday, March 2nd and will be joyously celebrated that night with a release show at The Horseshoe (we’ll announce the line-up midweek). The first single goes up on Wednesday, February 1st along with the sign-up for our new Singles Club.

As an added treat here’s a video of us performing “I Get What You Give” LOTF for the short documentary Patrick and our friend Sean Foreman are making. 

[Flash 9 is required to listen to audio.]
Paul Marc Rousseau

—Sleeping Aides and Razorblades

sayandplay:

The Exploding Hearts - Guitar Romantic


Sleeping Aides & Razor Blades (Originally By The Exploding Hearts)


Billy Says: I really embraced The Exploding Hearts a few summers ago when I was working a summer job at American Apparel.  My manager Jordan would constantly play the record in the stock room and immediately I was hooked. I feel like Guitar Romantic is a hidden gem of Punk/Garage Rock and has a timeless sound for a record recorded in the 2000’s.  Released in 2003 and briefly toured before the band came to an end in 2005 after a tragic van accident taking the lives of 3 out of 5 members.  I think this record stands as one of my favourite records of the last decade and constantly gets played on my turntable, ipod, while DJing and is often include in many of my Restless Soul mixtapes.

I thought Paul Marc would love The Exploding Hearts because to me, their sound is like a Punk Rock version of The Stokes and Elvis Costello (two artists that he loves).  When I first heard Paul’s band Burst & Bloom I thought that if they got a little edgier they would sound like The Exploding Hearts and hope that doing this cover has a lasting impression on Paul Marc’s songwriting.

Paul Marc Says: In true Bill fashion, he showed me this band and told me I should write songs like them. While I didn’t even try to do that, we thought it was appropriate to use this song as the first cover in this series.

The song is pretty cool so I didn’t want to fuck with the feel of it. I found it challenging to do that, considering I live in an apartment and don’t own a drum kit. It’s difficult to use fake drums and have them sound so elegantly messy. Actually, it’s tough to imitate any perfectly sloppy song in any capacity, but I tried anyway. That in mind, I recorded this thing while pretty drunk. For better or for worse, you decide.

Actually, I decide. Better.

ANNOUNCING, THE TEENAGE KICKS SINGLES CLUB.

Hello people of the internet,

It’s been no secret that we haven’t exactly released a whole lot of material over the nearly two years that we’ve been a band, and there are a few reasons for that. One is that I’m incredibly pessimistic about whether or not the next song I write will be good enough, the other is that myself, and many of my age grew up in a climate where if you wanted to hear a band you bought their CD or at very least borrowed it from someone who had bought it. To avoid being a total dinosaur I’ve released everything I’ve recorded over the last 5 years for free, and unlike the success of The Weeknd it’s not necessarily that way for the remaining 99 percent of the music community (who aren’t backed by Drake or are in unknown upstarts like Radiohead and NIN). That being said, I think I might have missed the point in holding onto songs that I hoped would hit more people… in that only releasing 5 songs every year has also missed the point.

And with that realization came another, we’re starting a club and you’re all invited. We have a fairly massive back catalog of songs, and with Jeff’s continue success in writing his own good songs (IMHO) we’re never going to be able to release half of them, especially at this rate. The Teenage Kicks Singles Club will be a healthy mix of new and old, sometimes we’ll cover a song, sometimes we’ll re-record a Cain and Abel or Ulysses song, sometimes it will be a punk song, or a country song. The possibilities are endless, and that’s what I enjoy about the idea. Now, it’s just an idea unless other people get involved, so helping to spread the word is integral. Here’s the official blurb on the service…

 Welcome to Teenage Kicks’ Singles Club, the place where you can get away from troublesome commitment, the investment of your oh so precious time, spending too much money and whatever else ails ya in a tricky ‘long-term’ record listening situation.

Every two months the Teenage Kicks’ Singles Club will release a new A-Side and B-Side exclusive to the club for your listening pleasure, free of charge, of course. All that you need to do is sign up at the bottom of this page and become a member. You’ll receive your first single immediately, and once those 6-7 minutes are up you’re free to do whatever you please. Don’t forget that swinging is encouraged people, so feel free to share. The singles will keep coming until you find that special someone and decide to unsubscribe to our service. But until then, we’ll see you in the club.

*Teenage Kicks fully supports and encourages the making of full length records, even double records, but only sometimes triple albums*

So there you have it. I hope that all makes sense. On February 1st, 2012 you’ll be able to sign up and get the first single, it will also be the single from our new EP Be On My Side, which is being released just over a month later on March 2nd, 2012 at The Horseshoe (details TBA). In the weeks following the release of the single and leading up the release show we’ll have a short documentary coming online, a new website, and a few other surprises for y’all. We’re excited for you to hear the new stuff, so thanks for sticking with us thus far.

Peter

On the road again.

On the road again.

In the event you missed it, did you?

SUMMERHOLIDAYS VS PUNKROUTINE VS COACHELLA VS THE SEXIEST MAN IN SWEDEN.

Hey all,

Refused were/are one of my favorite bands from my teenage years and rightfully so, they released The Shape Of Punk To Come.  I never bought into their ideologies as I was more interested in the music and I always thought it was kind of strange for a band (something that needs some sort of profit in order to survive, like a business) to preach anti-capitalist sentiments.  BUT I did admire that they had something to say with their music and that they were so adamant on NOT re-uniting because it would completely void everything said in their final “manifesto” as well as The Shape Of Punk To Come and their previous catalogue.

I’m not here to crash anyone’s “Refused AREN’T Fucking Dead” parties, but does no-one else feel that this completely diminishes any integrity they had?  Playing Coachella for (I’m assuming) at least 500 grand plus unabashedly cashing in on merchandising with 14 new shirts/hoodies doesn’t seem right from a band who stated, “we will never play together again and we will never try to glorify or celebrate what was.  All that we have to say has been said here or in our music/manifestos/lyrics and if that is not enough you are not likely to get it anyway.”

I feel like a huge stick in the mud as nearly everyone else celebrates this reunion, but Refused were a great example of integrity in a culture that celebrates the exact opposite and now they’re just like every other band.  Thoughts?

- Jeff